I don’t care what you paid for, the sign said three.
THREE RIDING LESSONS FOR THE PRICE OF FOUR
Advertisement – Penney Farms Equestrian Center, Green Cove Springs, Florida
How much for eight?
THREE RIDING LESSONS FOR THE PRICE OF FOUR
Advertisement – Penney Farms Equestrian Center, Green Cove Springs, Florida
How much for eight?
What the hell, it’s Friday. I went to the museum with small grandkids, stared at Monets and a late Van Gogh (Paris) and noticed even in their minor work that at least they were brave. So here’s some run-on two people standing around talking ’bout nothin’ ‘cept insecurity, replete with era-accurate cultural sexism backstory and background noise.
Jade saw the flashing light that these guys used for a studio doorbell, sighed, clipped the tape measure to her tool belt. She’d let herself in at six-fifteen with the key and alarm code Jackson had given her, walked and measured the space a dozen times, made and thrown away as many sketches, and had a lock on what needed to happen. And here was that fricking man shit she always had to get past just to get her job done. Why did they all need to talk about how they knew everything when most of the time they didn’t know shit? She turned the deadbolt and let him in.
Jackson was holding two coffees from the Exxon station and looked reasonably relaxed for a guy who had driven through L.A. at seven-thirty in the morning.
She mumbled “Thank you,” couldn’t look at him, felt her ears start to burn. Dammit. She squatted, set the coffee on the floor and measured a point on the floor from the far wall she’d measured a dozen times, stayed there staring at the tape measure and stood up. She repeated the process several times around the room.
Jackson noted the precise marks where the dust had been cleared, the half wall he’d built had a big X on it, made with the masking tape that was gone from where he’d laid out the small kitchen. All the response he could get from his questions were mono syllables and “Mmm.” He put the tip of his Converse on her tape measure.
“I didn’t hire you to agree with me, or ignore me pretending to measure what’s already measured. I’m just some guy. You have opinions, let it go.”
She stood up, made a note in the small steno pad with “AIR BISCUIT STUDIO” written on it in marker, flipped back to the first few pages.
“There’s no flooring, sir. How do I address that? Guess? A furniture grade ‘removable’ table top for a pool table that will weigh a frickin’ ton? That maybe you can play ping pong on because I have Jade’s secret miracle coating to finish it with? A kitchen laid out in the middle of the room where there’s no plumbing? I’m not selling Feng Shui, but common sense is a good idea.” She squinted, pointed her pencil at the top of the far wall. “You have those nice, high transom windows that could use a cleaning, and nothing. No trim, not even mentioned. The only thing you’ve written down are pipe dreams, and almost everything you’ve done so far that I don’t need to do again is the big bathroom that’s probably been here since Eisenhower drove a Jeep. You actually ate in here?” She pushed the rickety card table with a boot. “This is all men, right?”
“No, but females stayed on the other side of that insulated door unless they needed the genderless powder room that had walls until I took them out. If they wanted to eat we moved the card table into the control room. There was a long, hollow wall right here, all the way to the front door. Before I took it out —”
“It hid all of this dusty air and those beautiful east windows. You also spec’ed ‘A chill and reception guest seating kind of area’ isolated from the rest of the place by a forty-eight-inch-high half-wall. ‘With maybe plants or a planter.’ Why not a fricking aquarium like my dentist’s office or every Chinese place in town that gurgles and makes everyone need to go pee? All you’re missing is giant Legos or Lincoln logs and Tigger on the wall and it’s every pediatrician’s waiting room in California. Is that what you’re after? Little boys waiting for their turn at whatever the real toys are back there?” Uh-oh.
“No…No. Open. I wanted it to all feel open, and multi-use. I read that somewhere, about open, multi-use rooms and —”
“Stop reading or read something besides suburban housewife throw-pillow decorating magazines. For a client with a nice space who says ‘open’ a lot you have sectioned off all your ‘open’ into several smaller one-shot rooms. No walls and chaos isn’t ‘open.’” She made finger quotes every time she said “open.”
“What you’re trying to tell me is whatever I built already is bunk and that you have a better idea for the kitchen and the pool table and all the rest of it?”
“Yes sir. We can re-use most of your’bunk’. At least you kept it to standard lengths and didn’t anchor them or hang sheetrock.”
“I built them like gobos, or room dividers. I was waiting on an electrician to tell me what —”
“Wait a little longer and let me talk to someone who knows the codes. Where are we, Silverlake? East Hollywood? Do you even know?” She bit her lip after that one. Her mouth had gotten her fired before, particularly when she had the plan in her head already, got wound up and in some man’s shit when she’d rather be working than talking.
He snorted, shook his head. “Silverlake, commercial. We’re code correct, except the Fire Marshall inspections bust us for the tape boxes on top of the control room if they get too close to the ceiling. And call me Jackson. Or something besides Client or Sir or Mister anything. You’ll meet a girl on the phone this week who says ‘Yo, boss’ when she talks to me, but she might as well say ‘Hey, fuckhead’ because I’m nobody’s boss.” He waited two beats, went right to it. “I know you’re uncomfortable. About this gig or last Wednesday or something. We have to work together, so tell me what will make that go away.”
She fumbled for a second. He was supposed to be a dick and start all that ‘so what smart ideas do you have, shorty’ crapola, but…
“Sir, I served six years as a lead field mechanic in the Army, and I got attitude. Too much of it. The men wouldn’t do what I needed them to do and I was a bitch because I wouldn’t fuck them. I knew in the field that, they, we…we just couldn’t do sex and do our jobs. Some of them got it, but…Just because you drink a beer with someone doesn’t mean you’re in love or heat, or it’s an invitation to visit the vacation they thought they were going to find between my legs. It’s taken me a long time to get past that and an asshole ex and single momming an eight year old. And when I finally wanted to, with you, I drank too much and…”
She reeled out a couple of feet from the tape measure. “Hold this. Down there, in the middle of the X.” She walked off across two thirds of the empty the space, nodded her head as if agreeing with herself, tugged the tape out of his fingers and took a deep breath while she waited for the clatter to stop.
“I haven’t…Sex…In four years. I wanted to, I told you that, sir, and that was embarrassing enough. And then I woke up in your apartment after we didn’t. Embarrassment number two. I don’t go out to intentionally pick up piano players who listen to me and are a lot younger in the daylight, sir. Honest, I don’t. So embarassment number three. And here we are. You spent time on me and we didn’t do anything and just like the Army that’ll somehow be all my fault and you’re going to question everything I do. And I can’t handle all that attitude now that I’m out from under it, okay? I’m damn good at what I do, but when that shit starts up I want to say ‘fuck you all,’ sir, and stick my middle finger in everyone of your noses like you did to that actress, and I really have to watch it or I’ll starve. Eventually some people listen to me but most people run on about shit that doesn’t matter or won’t work and I say fuck it and do what they want because it’s work and I need the money.” She took another deep, needed breath, let it go but kept her tension.
“That’s all good to know, I think, but you haven’t told me how I can help.”
“Sir, what I’m trying to say is you can’t make me do lame work on the cheap or argue with me about everything because we didn’t have sex. Please. This job, I can see it. I have a chance to do it right in here, on budget, and I have to. Or I can’t stick.”
“I can work with that.” He dumped his cold coffee down the rusty sink, tossed the cup in the galvanized can. “About that non-sex thing? We both made it home, I got my car. I was a dick for working a piano bar like I was sixteen. Every now and then I get tired of my skin and do something stupid, so I’m right there in the middle of that embarrassed business with you. You and I are okay. ” He watched her work her face and take that on.
“As far as this room is concerned, Jade? It’s yours. I threw out some ideas, you threw them back. You know a lot more about this than I do. Air and function is what I, what we all need out of this space. No, now….look at me.” He caught both of her nervous hands on the way to her cutoff’s pockets. They seemed tiny, but still hard as granite. “You’ll meet a French woman this week who says ‘The story completed, my love?’ So finish it.”
“My face is burning, sir, I know it is. The last thing is I didn’t bring your coffee cup back. On purpose. That blue is, I don’t know. Strange and beautiful. Like you said, a blue only mescaline knows. I drink my coffee, set it down and stare at it. I started to lie and say I broke it, that’s how much I like it. That’s what needs to go away, being embarrassed about everything with you. Because I have been so wrong since climbing all over you in Bellacardi’s to ditching you without a car, to thinking of ways to steal your coffee cup. And…”
“I need you to mean that, sir, about this room being mine and us being okay. Let me do a good job we can both be proud of and I can take pictures and use you and this project for a reference. I’ll be okay with us and the sex we didn’t have and the embarrassments if we can work that way. Maybe I could buy the coffee cup from you, sir, or you could tell me where to get one.”
“First, and get a hold on this, I’m not a sir. I can get you a whole damn box of those mescaline blue cups and the girl who designed them will be gassed that you like them. Straight up, Jade, last verse. Between you and me? You’re really cute almost naked for a little bitty girl with a killer, squirrelly tan. The white hands and feet? My mom would have named you Socks or Boots if you were a stray that turned up. That’s all there is of our short, sorta funny, didn’t make it to sex story. You and I are cool. And hopefully friends.”
“And as long as I’m in budget, this is my project?”
“Yes ma’am, all yours. C’mon, Boots, stop worrying. Do I need to sign something, get you a check?”
“Both would be good. Neither are required on consultation day. Boots? Oh, don’t. That’s not funny…You mean it, ‘straight up’? We didn’t, I’m weird and kept your Mescaline blue coffee cup, and that’s all okay and there’s no ‘who’s the boss’ weirdness?”
“There it is.”
“Contract and a check and I’m okay? My mouth sometimes…I brought a contract in.” She fished a folded sheet out of her tool belt, handed it to him. “And the check would be good, if it’s alright. Not that I don’t trust you yet, but I could really use it. And as a safety, in case you’re jacking me around because of my tan lines and I’m being happy-carpenter-girl-with-a-job blind and don’t want to see it.” She took a couple of deep breaths. “Shooo-eee.” She dropped her shoulders, shook out both of her hands and finally smiled.
He reached into the fridge in the old bathroom, pulled out the last two cold Cokes, handed her one. “Coffee kind of died on us. Caffeine is caffeine. So we have a deal, Boots?”
“Yes sir. Deal!” She frowned, tapped the old, rusty, spray painted, duct taped fridge. “This has to go, sir. This is a new, unisex restroom with real light and a lady grade vanity setup, not a room where men hang out, eat greasy take out, drink beer and pee.”
“Will there be a room for that?”
“No. I did your kitchen open, half size, with an island. On the other side of the restroom wall that goes where I’m standing.”
“Front side of the kitchen, plenty of elbow room. Are you any good, sir? At pool?”
“I can tell by the look in your eye that I need to be careful how I answer that.” He signed the contract, wrote her a check for half the budget, set them both by the rusty, dinged up sink in the old eat and pee and shower room.
“Sir? Where are you going?”
“It’s your room. ‘Ma’am’.” He bowed, deep. “I’m getting the hell out of your way.”
She waited for the door to close, hugged herself and spun all the way around on the ball of her right foot. When her work boot landed she looked up at the high east windows. “Ma’am! Yes Ma’am! Contract. Sold. Check. Boom. Boots? Crap-ola. But…” She turned a slow three-sixty with her arms out. “A ‘kick ass small recording studio front end’? Oh my God, baby. You are mine.”
Oh. My. God. Really?
I was going to pop the first THG III chapter. Then I was going to say no, wait up, here’s a backstory chapter so it’s not like instant melodrama. Then I was going to finish the Mescaline Blue short, but it got such resounding reviews I bailed. Besides, the last bit sits at 2.35k and needs to be 1.4k. I can’t seem to cut and paste and shuffle and get the story told so screw it, he said, virtually yet still resolutely tossing it underhandedly at the Rubbermaid trash bucket that sat dustily and blackly in it’s shadowly corner where it bounced, ricochetly off the swinging top, to roll languidly across the floor disrupting the cat sleepily napping. Napping sleepily Nappily sleeping?
Good. God. I really was going to do all those things until I was thrown mightily to the floor, incapacitated by the headline sentence, to lie numbly, stupidly still.
I have a theory. A lot of authors, particularly the franchise-able ones, have research assistants and staff and as they get on down the road the Franklin W. Dixon / Carolyn Keene effect kicks in. In fact the Spenser series originated by Robert B Parker is in Taco Bell land now with someone I suppose apprenticed/interned/researched with/for Parker when Parker was among the living. I noticed the same thing in the last few Tony Hillerman’s (that sucked, personal opinion) and the last few Elmore Leonard’s that were re-runs. Well, a deep study will show all those formula western/cop/detective things to be recharacterized re-runs, but that’s what we do, invent characters to plug into a stroy.
I think successful authors know how low the candle is getting, and hand off more and more of their duties. Because there is no excuse, outside of medication or getting confused about which series he was writing that Parker, the man who picked up the torch and finished a Raymond Chandler book, to write, on the coldest day in hell, the word “pinkly.” Or “wetly” for that matter. Or for someone who prided himself on his literary background use the word “languid” and the LY variation of it repeatedly. To describe dust motes, dog walkers, lawn sprinklers and the approach of a woman. And that’s the first half.
“Pinkly” is also one of those things wrong with the major publishing houses. Like tires and mac and cheese, it’s branding, not content. First off, no one caught it. No one at a giant publishing house raised an eyebrow at “pinkly.” I promise you if I played “pinkly” in a scrabble game I’d get hammered.
The last several Ace Atkins as Robert Parker outings are laughable for their lack of editing and proof reading. I wouldn’t let some of that junk out as a docx file to anybody. I know they must be selling on the label, based on the reviews of people waiting for the real Spenser to come back. Somebody better summon Edgar Cayce, quick.
Stupid, boring chattery content? I’ll own that, and have a hard drive full of it. Sloppy and lazy execution of same? No way. Even if it’s chit chat pablum, it needs to be well constructed chit chat pablum.
What has any of that got to do with anything? I’m pretty sure, and concerned, that the events and (mis)adventures of Jackson in Hollywood and Deanna in Cambridge in THG III are rough and drafty and will be received as such. And maybe I’m hedging a little about vomiting draft quality work. However, after reading the lazy slop that has been published by award winning authors and their award winning franchisees, after “pinkly”? Get the mop and bucket.
*School Days © 2005 by Robert B Parker
In WC#8 I said “just write it.” You see a character, have an encounter, tune in and let it go. In year 3 of THG III the studio Jackson works out of needs a remodel. That’s the short version. It could have been handled with a paragraph or two of narrative, or the story delivered, as it stands, embedded in 400 words of dialogue that contains other elements of backstory. But – I needed a character (I thought), let the tape in my head roll and got a 4k full-blown interaction with two characters. Don’t worry, this is the 1.4k part 1. I won’t use it, but what I said about Writer’s Block. It’s a myth. I met this character when she did my car inspection a few years ago, know nothing about her, but I listened and there she was. I think this is how short story collections are born.
Jackson’s Apartment, Long Bach California, July, 1981
Jackson sat on the edge of the bed in his apartment’s spare bedroom, gave the well rendered lioness’s head an appreciative eye. It lived in a deep Coppertone-colored jungle, surrounded by a ring of flowers he was pretty sure were coloring book versions of petunias or something, not foliage native to sub-Saharan Africa. The tips of the long grass that weaved through it all and poked out around the top half of the picture created a nice, crown-like effect, but they looked out of place as well. Like Palm Sunday palm frond handouts Catholic junior high school girls could fold into religious origami.
A thin, pale line ran straight across the lioness’s nose and the width of the small, tan, muscular back it lived on. It all reminded him of a pastel chalk art project, as if he had run his little finger across her back and smudged the color off down to the paper. Which is how he decided to wake her up. He dragged the tip of his middle finger lightly from the where the pale line and Coppertone met the new bottom sheet on the new bed in Dash’s old bedroom, across her back and the lioness’s nose to the middle of her rib cage on the opposite side.
She pulled the top sheet straight up her back from her waist, bumped his hand out of its Etch-a-Sketch trance. “Unh-uh, Rafe. Fuck off. Show your latest your morning wood ’cause we are so divorced.” She smacked the pillow with a fist, pulled the other one over her head. “Get the kid ready yourself if you’re so frisky.”
“My name’s not Rafe, I don’t think we were ever married and I’m fresh out of kids.” He’d been awake for a while, was already dressed in a t-shirt and jeans. “Coffee?”
He stood, heard the covers being tossed behind him and some low, exclamatory profanity. He turned and glanced. She did have some squirrel-ly tan lines. White feet, white hands, white butt. Not a bikini white butt, but white from waist high to three or four inches past where everything came together. About a minute later, while he was pouring water in the top of the Mr. Coffee, she blew out of the bedroom in her red paisley bikini panties, clothes clutched to her chest.
“Right in front of you,” he nodded to the small counter that divided his kitchen from living room. “One in both bedrooms if you need some space.”
She disappeared back into Dash’s old bedroom, he heard her bark at someone on the phone, the toilet between the bedrooms flushed, he never heard the door close or open. Jesus. Two minutes later she was standing at the small divider again, dressed in the red and yellow flowered dress that had gotten them into this situation.
“I hate to be a bitch, but I need to go. Now. We can beat the lock on the 405 or run up through…What?”
“You drove, didn’t trust me. We weren’t that far from here when you passed out at the gas station. I didn’t know where else to take you, didn’t want to troll your purse trying to find out.” He waited for her to wake up, but she was absorbing as fast as he laid it out. “Your pickup’s on the street out front. If you have to book we’re cool. I can get to my car.”
“You don’t mind? Crapola, I’m…I have a time window to beat. I bet you think I do this all the time, huh? Not at all…I told you that, didn’t I? That’s why I’m so scattered. I’m…I shouldn’t be here. Did I drink? Did I explain my tan?”
“A couple of drinks too many and a couple of times explaining a lot of things. Just saw the tan a minute ago. Interesting. Are you a trim carpenter for real?”
“Yeah. My hands.” She rubbed her fingers with her thumbs, screwed up her lips. “Rough. Sorry. I’m not the usual Wednesday piano player’s door prize at Bellacardi’s, am I?”
“I doubt it. Leave me a card, or your number?”
“Right. You’re going to call me. After no car, and no sex and…” Damn, he looked like he might be serious. “Okay.” She pulled an overstuffed red patent wallet out of her purse and sifted through a handful of cards, offered him one.
Jaeyden Hammett Carpentry – Serving the Greater Los Angeles Area. Two state license numbers and a phone number.
“You real busy?” He pulled one of his cards out of the second kitchen drawer he opened, set it on the divider. She picked it up, held it with her teeth and talked around it.
“This week, yeah. I have a remodel finishing up in West L.A. They say the bust is coming. Just my luck, right? Nothing next week yet. What am I saying? Nothing anywhere past Friday. I’m state licensed for trim and frame. Oh, and I’m bonded, too. A hundred grand. I think.”
She pulled one of her hands off shoe duty, took the card out of her mouth and dropped it in her purse. She was trying to talk, hang onto the counter with her elbow, stand on one leg and put on some kind of ankle wrap sandals that tied. The sandal wrap was an attempt to hide where her work boots cut off her tan. Women. He reached out, put a hand on the shoe between them.
“Next week’s job just landed, Jade. Solid. I’ll call.” He nodded at the shoe under his hand. “You might want to blow these off and drive barefoot.”
”Right. You need to get rid of me. Heard and understood. Someone is coming and I need to beat it. I feel so stupid…”
She stopped at the door to organize shoes and keys, fumble in her purse. A kicked around some, hard working, deeply tanned, tiny, no make up thirty-ish female carpenter with a mess of sun bleached hair and more of a mess tan lines under a pretty, probably rarely worn dress.
“No reason for stupid, and nobody’s coming. You had to take off the shoes to drive last night, carried them in when I woke you up.”
“I musta forgot that part.” She fidgeted with her dress, small shrugs, twists. “There was some story, right? One name Jackson? If you do call? Never mind, men don’t ever call me that way.” She dropped her shoes, threw her head back, gathered up a fistful of ponytail and popped a band around it. “They find out I was in the Army and I’m divorced with a kid and what I do for a living and think I’m a lez, so if you do call, I’ll know it’s you.” She picked up her nowhere-to-belong shoes, patted her purse. “And I have your card.”
She poked her head back in just before the door closed. “Thanks, you know…For being…And not getting…” She heard the Mr. Coffee gurgle. “Do you have a styrofoam cup, sir? Or a cup I can borrow?”
He reached up into the cabinet and pulled out a tall, translucent blue Morisé coffee cup, loaded it two thirds full for her.
She tied her shoes together and hung them around her neck while he brought the cup, took it with both hands, held it up to the light. “Amazing glaze. What’s the little gold M for?”
“Mescaline. It’s the only place I know where you can find that color of blue.”
“That’s true, you know, about this blue. But I think you’re bullshitting me about the M. Sir. I’ve seen it somewhere.” She gave him a slightly more relaxed look, between gratitude and mild surprise. “Nice cup. Don’t worry, I’ll get it back to you.” She pulled the door as she backed out, stuck her head around again just before it closed. “Because you are going to call me.”
I got five emails over the weekend about Writer’s Block. Three from “editor and writing coach” blogs (those people are full of shit, generally, and their examples and suggestions pathetic), one from someone ranting on me after 45 years saying I must have writer’s block because I mentioned they wouldn’t talk to me about anything of consequence, and one from a writer friend who should know better. Look here people. I did product specialist Artist Relations in the music business. I have stories. But I ain’t telling anybody’s stories out of school. I don’t care if you’re a priest or a rock star or an ex high school cheerleader. Because?
I don’t have to. Dig this. There is no Writer’s Block. It’s an urban myth. Like finding Jimi Hendrix’s guitar in a pawn shop for $50. Writer’s Block is the direct result of trying to control your output. News Flash. Unless you have a pre-ordained point and a target, you have to actively participate in the creative process, not force it. If you have ever had to create for $, in any medium, you know that you develop your craft to the point that you jam (extemporaneously create) until something gets you on the same wavelength as the art director or the editor, and gels. Or you sit, adjust the fine tuning on the cosmic radio because the Muse never sleeps, and listen. And you get a gift. Too simple?
I was going to go into inspiration and the Muse ad nauseam with people and examples. Instead I say just write it up. What did you do this morning? Where did you go? Who did you see? I could write three fake trendy WP poetry blogs off the grand dog that got out, the hardware store geezers and pink (!) wood filler putty. Nothing about Van Halen, Rick Wakeman, or anybody I went to high school with. Trust me, there’s some quality material going to waste right there.
However, and I’m not L. Ron Hubbard looking for a religion to start, but next time someone says “Writer’s Block” to you, tell them it’s bullshit and I said so. Why? Go to a hardware store.
Not home center
I go there to feel young
Because of Plumbing Geezer in a
I see him against a green
Scuba diving in that rig
Remember “Sea Hunt”?
I say I need some three inch nipples
Don’t we all
Out of social polite-ness
Locker rooms and sexism are
He tells me he was a Hippie
Honest to God Haight Ashbury Hippie
I say my recovery nurse after they rebuilt my
Said she was there
Maybe I knew her he says
She said all the guys were horny, smelly leather clad
Assholes with corny
Lines trying to get
Same as always and she said
You guys would tell her
Hang Ups and she’d say
I’m not hung up, I just don’t want to make love with
Scuba plumber laughs out loud says
She knew me, anyway
Hands me a nipple says
These things travel in pairs
Woody Allen I say, hot and cold
Why plumbing parts sound like women parts
I fail to acknowledge that
On the way to the register I
We read about Haight Ashbury Hippies and
About all that was
According to the remodeled asshole recovery nurse
Might have bathed
Chungwipff makes a good point about using WordPress for personal accountability in the comments of Adieu For Now. A point I had mislaid somewhere in the Social Media wasteland. Create something. Put it up. Own it. Do it again. Forget what anyone else is doing, or not doing, or how what you do is received. Give it your best shot, be accountable to yourself. Get out of your own way, write your story. Your way. My Mantra had gone walkabout. Thank you, Chungwipff.
I bailed on my personal accountability based on what I perceived as a landscape largely without a threshold knob for the noise floor. No gate/expander, wide open. Foolishness, vagaries, rampant narcissism. Which are none of my damn business. I control the threshold of my personal noise gate. I hereby revoke my tantrum and resultant self-exile. I do not revoke my opinion(s) on the root cause. This started as a methodology for personal creative accountability, and so it continues. Nothing else matters.
I have been guilty of accusing others of things I once tried. Looking for the equation, the silver bullet that would make me a “writer.” I once took a Tony Hillerman novel apart. Because they read like glass and drop you right into the environment without travelogue. How much scene vs. dialogue vs. narration vs. internal dialogue. Seriously. I bark at people now because it was a waste of time. Timing of events for formula writing is important. The rest is all storytelling. I was fortunate enough that my father was friends with Tony’s father. He was older than my dad. My dad, like me, hung around places he wanted to be with his hobby. I turned my hanging into a career. My dad made side money. As a photographer and short story writer. Saturdays we’d go downtown and hang out at Hillerman’s Photography. When he had a large job, like team pictures, my dad would borrow the Hillerman drum dryer for his prints. Tony the author, a man who taught English in missionary schools for Native Americans and in Mexico, said there was no secret. He sat down in a room with his characters and an idea for a story, and off they went. He committed little hash to the page, and then he came back with wax on – wax off. He wrote a story, did the work. No magic. Except, I think, for listening to his own stories.
There is no Silver Bullet. There are formulas. For arcs, for story driving events. But there is no substitute for a well drawn yarn. What sets the really good like Hillerman and Vonnegut and Steinbeck and Hiassen and King, David Foster Wallace, and true genius like Virginia Wolff apart is their stories. And their style. Perhaps there are only X number of conflicts and plots. But stories? Stories are everything, and they deserve our best shot. Stories and their telling deserve our respect because they are a gift. Not everyone has the mindset to escape, to dream, to see the mirage that is an untold story. Respect your stories. Your loss if you don’t. All I’m sayin’.
Starting in a day or two, I will begin publishing The Hot Girl III – Cambridge. It is draft mode. I cranked it out and it has languished on my hard drive for three years. Once upon a time there was an editor who knew an editor who thought it was a good idea. Both of them are dead. Must have been a killer idea.
Unless you beta read The Hot Girl, you don’t know these people, and this is the only synopsis/player scorecard you’ll see –
The Hot Girl is a social commentary fairy tale. Feminism, gender role confusion and rock n roll from the late Seventies through the mid-Eigthies. A bit like the taming of the shrew, who doesn’t need taming along with self-discovery, the perception of abuse, coming of age, true love and destiny all wrapped in fairy tale.
For starters, two star crossed kids, like any good fairy tale. Angry ex cheerleader (Deanna) looking for a cause and Rock n Roll Prince Charming (Jackson), looking for a Princess. Deanna hears someone describe Jackson’s mother, before she knows the woman is his mother, as “An elegant hell in high heels.” And sets out to discover feminism, because elegant hell in high heels sounds like the best gig since head cheerleader turned out to be a bust. But she’s at a superficial level. Until Jackson introduces her to a pair of rich, over educated lesbian feminist fairy godmothers, Amanda and Alix Morisé, who can be found here. The Morisé’s own a huge real estate development company inherited from Amanda’s father. They run their empire from the 17th floor of an office building in middle America. 1700 Oilman’s Bank Tower. And more than anything, they want women’s issues front and center, and they need a cheerleader. No one better qualified than an a very attractive, angry high school ex-cheerleader and overachiever with man issues, a sterling academic record and a temper. How Amanda meets Jackson in The Hot Girl I is an exercise in feminism kicking sexism’s ass, and listening to a woman. Deanna wants to know a real feminist, and Jackson, reluctantly, introduces them.
Think of a classic like Captain Blood. I wanted to write that, in different context, only I always wanted to know what the girl was up to while Errol Flynn was off pirating. I asked some women and they told me they didn’t know, but they’d be damned if she sat in her room reading poetry, sniffing roses and pining away while the non Pirate Prince Charmings of the world plied her with party invitations and gifts and scams and offers of wedding rings.
Some of THG is already up here, as short story. Here they will be presented in context. If you meet someone you don’t know, don’t worry, they won’t bite. Just climb in and take the ride.
THG III begins several years into Jackson and Deanna’s relationship and who she has become with his help. She is tired, again, of being told what to do. Tired of her mistakes in personal judgement dulling the sheen of her brilliant performances on the academic debate circuit where she takes feminism and throws it straight into the face of patriarchal strongholds and comes out with medals for both skill and humanitarianism. I will drop us all into what I call the “between narrative.” Between the bliss of young love and the glow of success, her mentor’s frustrations, and her need to run. Stay tuned.
I read an interview with Jeff Beck. He was asked why it takes a while between records.
“I’m the sort of bloke that’s like a ton of bricks, you know? I won’t be moved until I hear something that really sends me up in the air, then I’ll be around pestering everybody, playing for them. I can’t see the point in putting out an album, kidding yourself that it’s great, if you don’t believe it. You’ve got to believe in what you’re doing—and then you can take all the crummy reports that are going to come, and you can say, ‘Well, sod you, I like it.’ And that’s the main thing.”