Open for Submissions — Orchid’s Lantern

 

Here’s a shot for anyone with a techno short or a scene/chapter of the same ilk that could stand alone. This is made for a (read this carefully) CONCISE episode of George F’s mind effing bed or the Antierra Manifesto. Long on action and psychological impact, short on preaching.

 

Just a quick reminder that we are still open for submissions to our first ever anthology: Vast. Please read the guidelines here and send us your stories about mind, soul and consciousness in a technological age by 10th September. Any assistance in spreading the word is also welcome.

via Open for Submissions — Orchid’s Lantern

RANDOM NVDT – Writerly Concerns #22

Authenticity –

“You’re telling me nobody in Washington DC has a piano you can rent?”

“No.”

“Not Washington Music or Venneman or the Steinway Hall or any of the back-line places? Jesus, you’d think there’d be a shit load of pianos in DC. All the parties and weddings and receptions, hotels.”

“No, man. I’ve called them all and nobody has a grand piano I can rent. That’s why Rick told me to call you. He said you could hook me up.”

“Rick?”

“Wakeman. He’s coming in to play a classical music concert. A live broadcast, and he needs a good piano.”

Right. Rick’s a real comedian. Here we go. “I can get you a ProMega3, from Chicago, with Rick’s programs blown into it. Have it there in three days.”

“What? A Pro…What?”

“A Generalmusic ProMega3. It’s a physically modelled digi –”

“A digital piano? No way, I can’t have that. Those sound like shit, everyone will know, Rick will hate it.”

“Rick won’t hate it, that’s why he told you to call me. It’s not a sampled piano. Yeah, those all sound like audio Polaroids. But this is a real-time physically modelled instrument, sympathetic resonance figured on the fly like a real piano, all the math done by the physics department at the University of Padua. Padua being where the piano forte was invented.”

“It’s still a digital piano, no matter how good it is. It isn’t an authentic piano. I have $5,000 microphones set up in here for a real –”

“Riddle me this. You put five of those microphones on the piano. Run them through the board –”

“A digital console with high end Prism ADA converters. Those things are –”

“Ten grand a pop. Great. What do you have at the end of that signal chain?”

“What do mean, what do I have?”

“You have a digital piano. Just like the one I’m offering you. Five high end mics, data conversion to harmonic and volume modelled envelopes, real time resonance. The sound board and wooden case is done with math, not samples. It’s as authentic as your mics and digi board. If anyone notices or complains, I’ll eat it.”

“Well, hell, we’re out of time now, I don’t have any choice. And Rick said…Shit…Are you sure you don’t have a real piano?”

“Positive, but I’ll send you a ProMega3. Tell Rick everybody loves a clown and to poke around the first bank, Herbie Hancock’s fave Fazioli tweak is in there. Sound check for Artist Not Present in Rick’s case is number 2, RW Stein. Any problems, call me.”

A week later I make the call. “Anybody complain about Rick’s piano?”

“No. Did you hear the show?”

“Sure,” I lied. “He’s crazy funny and can play his ass off.”

“Yeah. So, uh, look, how can we get two of those ProMega things for the studio?”

***

All you have to do is make me, or any reader, believe it. I have a WIP set in LA in the early 80s. I wasn’t there, I was in NorCal. I have friends who were. What is needed is “A studio in Silverlake.” It works because there were a lot of them. A high-rise ocean-front condo in Santa Monica. Yeah, duh. A funky old 8 plex apartment in Long Beach. L.A. is the global center of funky small apartments that could have been shotgun houses, old motels, two story office buildings. They’re in every TV show ever shot in L.A. from Dragnet to Transparent. I read Laura Levine’s fluffy mysteries, her heroine lives in an apartment in West Hollywood. Some colorful neighbors, funky houses. Traffic sucks on the 5, the 1, the Harbor Freeway, Santa Monica Blvd. Of course it does. Who am I to quibble? Fancy restaurants on the beach, Mexican places with huge burritos, everybody accepts that. More importantly, it’s enough. Robert Parker used to beat me with Boston, but not too hard. Tony Hillerman could put me in an old beat up Suburban in the New Mexico desert with few words and a few mountains. Elmore Leonard, Get Shorty in L.A. Are there any map coordinates?  No. Descriptions of big houses and restaurants and grubby offices. Raymond Chandler’s Farewell My Lovely. A dumpy house, a grimy bar, a nut-case estate. For me? In and Out Burger on Beverly. A vegetarian walkup in the parking lot of a strip center, or off the 1 in Malibu. Pre-War apartment courts on the bay in Huntington. They’re there. Why not? Authentic is the story, on a believable set.

Authenticity, then, does not require 200 pages of Irvine Welsh’s phonetic Scotts, or an accurate down to the nails in the shutters description of a side street in the Bahamas or a page and a half of verdant pastures or a horticulturalist’s coffee table book version of Louisiana garden and potted plant life. Or $20k worth of mics and preamps. Authenticity is a few locations, a few props, carried by the story. All the set decoration in the world isn’t the story. If the story works, it could be next door or a far-off land. Make me believe the characters and their stories without gumming up getting them around and putting them somewhere. Authenticity is the story. 

***

Authenticity – When asked about Jeff Beck’s guitar rig his tech answered with all the right techy stuff. He finished by saying “But he could play an old Masonite Silvertone through a Pignose and he’s still gonna sound like Jeff Beck.”

More Authenticity – Rick’s version for an Australian magazine. Zoom to read.

 

 

 

Looney Lunes #160 Rise Up, Wimmin 2 fer

Out Damned Spot!

In rural Nepal many families still practice Chhaupadi, a custom that requires all menstruating women to be banished to a small hut or shed for the duration of their period. They are not allowed to interact with or touch any male family members or livestock or enter the family home.

Nepalese men are lucky their women aren’t out in the barn sharpening knives. And pity the lonely fool with a couple of daughters, they all get in sync with mom. Unless it’s World Cup Week.

Yeah, Right, Babe. Sure Thing.

Back in the late 1800s a common argument against giving women the right to vote was that it would allow married men an unfair “extra” vote. As they would surely exercise their influence over their wives to vote alike!

It’s thinking like this that makes me want a word for Male Bimbo.