I’m a big fan of the lullaby. The beauty is that they lurk in a song that wasn’t written to be one. Except to me a number of the early innocent songs before my time were looking out the window with longing lullabies. A favorite of mine – “Count Every Star”. I’ve heard it done from Doo Wop to Vegas lounge lizard. Treated properly kicked down to acoustic guitar or deep space piano it will knock the volume out of a loud room and turn adults into children, if only for a moment. I have no idea why. I do know it as fact.
I also have no idea why Kate Rusby isn’t a household word. If you don’t know of her music, you might think of getting acquainted. Most everything she writes and sings is in that magical land where beautifully executed simple from the heart storytelling meets the air between the notes. Everyone needs a lullaby once in a while. Who will sing you a lullabye? Kate Rusby. Don’t know if she’ll share the cheese.
1980 to 83. That’s it. Three years. Easily the most used, abused, sampled, looped, and heard by all drum machines in history.
Why? The thing sounded like the cheezy beatbox in home organs. Boom chikka chikka. Little filtered analog noise bursts crammed into audio envelopes. Tish tish tish clack boom. I mean Kraftwerk made of it by sampling their own voices and using them as a beat track on Boing Boom Tshack from Electric Cafe…
Except…unlike the CR78 and other drum machines of the presampling era, the 808 had variable tuning. No, not the city in China, but actual pitch up and down on the klacks and booms. If a car has ever pulled up beside you and rattled your windows with low-frequency Boooooooom…. Boooooooom that’s the 808. Stretch and distress and compress that low kick until it never fades and rattles your windows when it goes down the street. A sound, we learned, that keeps an amplifier buried on the power supply rails until it burns up.
People will complain about all the kinds of music that sound brings to mind but be advised, plenty of pop and rock songs were demoed with the 808. And more million-selling R&B than you can shake your booty to, jazz, acid jazz, smooth jazz…everybody incorporated the sounds of the 808. In fact I’ve used 808s widely myself in everything from cover tunes to electronica to synth space fart tracks.
Gain access to a state of chill and some headphones, here’s some 808 in a hippie redux context
Why again? Because I was inspired by the old 60s synth instrumentals and hearing a Muzak version of Jethro Tull (?!) in an HEB Grocery store in Austin, TX and figured, you know, I do that &*^% for a living.
Happy 808 day, even if you’re not all that happy about how it’s found its way into everything music-wise.